| Issue |
SHS Web Conf.
Volume 224, 2025
4th International Conference of Applied Psychology on Humanity (ICAP-H 2025)
|
|
|---|---|---|
| Article Number | 06008 | |
| Number of page(s) | 10 | |
| Section | Psychology in Social and Cultural Contexts | |
| DOI | https://doi.org/10.1051/shsconf/202522406008 | |
| Published online | 05 November 2025 | |
Mberot and cultural compliance in traditions, customs, and rituals: A cultural psychology perspective
Faculty of Psychology, University of Muhammadiyah Malang, Indonesia
* Corresponding author: This email address is being protected from spambots. You need JavaScript enabled to view it.
Abstract
This study examines the paradox of cultural compliance and mberot (deviation/adaptation from canonical conventions) in the folk arts of bantengan, jaranan, and topeng across Greater Malang through the lens of cultural psychology. The aims are to: (1) describe forms of compliance as representations of customary law and ritual; (2) analyze mberot as innovation and as a response to modernization; (3) uncover the psychological paradoxes that shape identity, social relations, and spirituality; and (4) formulate a conceptual account of how traditional and modern values are negotiated. The reviewed methods are qualitative: ethnography, participant observation, in-depth/phenomenological interviewing, documentation, and thematic analysis verified via triangulation and member checking. Findings indicate that compliance appears as ritual discipline (prayer, offerings, canonical plot/movement, trance control) that sustains cosmological harmony and social cohesion; mberot emerges as a sustainability strategy—shortening duration, modifying choreography/materials, and stage packaging—accepted so long as it still ngemu rasa (embodies the inner aesthetic–ethical “feel”). Psychological paradoxes arise when the needs of the interdependent self (norms/togetherness) coexist with those of the independent self (autonomy/expression), producing mixtures of safety and pride alongside guilt/shame or intrapsychic conflict post-trance. Rasa/rumangsa functions as an ethical compass that sets boundaries of propriety, while collective effervescence indicates social acceptance of innovation. We propose the conceptualization of “creative compliance” to explain fidelity to the spirit of tradition through adaptive forms. Practical implications include rasa-informed curatorial standards, trance ethics protocols, and intergenerational transmission in education; future research should employ mixed methods to test the theoretical propositions.
© The Authors, published by EDP Sciences, 2025
This is an Open Access article distributed under the terms of the Creative Commons Attribution License 4.0, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Current usage metrics show cumulative count of Article Views (full-text article views including HTML views, PDF and ePub downloads, according to the available data) and Abstracts Views on Vision4Press platform.
Data correspond to usage on the plateform after 2015. The current usage metrics is available 48-96 hours after online publication and is updated daily on week days.
Initial download of the metrics may take a while.

