An intellectual plein air: a walk through the Rozanov places of Yelets

This paper is an original reconstruction of the Yelets text of the Russian religious philosopher Vasily Rozanov. The author draws up a map of Rozanov’s addresses in Yelets and conducts an intellectual plein air over them, inviting students to it. During an intellectual walk along provincial Yelets, an attempt is made to reconstruct Rozanov’s Yelets routes. Each place, marked during the plein air could be described by Rozanov in his texts. This form of academic dialogue is held for the first time and can serve as an alternative to traditional classroom forms of communication. The author sees the intellectual plein air as an attempt to capture and describe the images of the departing Yelets in the way the Russian philosopher might have seen it. Any timely fixation of the memory of Rozanov today turns out to be the correct tactical decision. The current Yelets is gradually giving in to the impulses of modernization. In addition to the intellectual temptations of new readings of Rozanov’s texts in the framework of this plein air, this form of academic dialogue, taken outside the framework of the university audience, solves another problem. The author considers new aesthetic horizons of the familiar ethnic landscape. Yelets expands anew, containing the memory of an outstanding representative of Russian culture, and becomes a part of world culture.


Introduction
The Russian province retains a unique cultural potential. It is too speculative to represent the images of Russia, its past, present, and future only in large cities, the centers of the empire. It is equally impossible to see modern Russia through the prism of the capital's prosperity, because, as Georgy Gachev once noted, "St. Petersburg is not Russia" [1: 388].
Many representatives of Russian culture grew up in the provinces, creating a special intellectual tension there. Their work can be viewed in the context of the cultural memory of a particular place. In the Lipetsk region today one can see partial practices of the commemoration of famous secular and religious intellectuals, prompting discussions about their texts in the scientific community [2]. The region celebrated the 150th anniversary of I. Bunin, slightly overshadowed by COVID-19, with special attention. The teaching experience of the Russian religious philosopher Vasily Rozanov (1856Rozanov ( -1919 is connected with Yelets, too. In 1887, he arrived in Yelets from Bryansk. Rozanov, already having a proper intellectual background by that time, became a history and geography teacher in the Yelets grammar school.

Methods
The memory of Rozanov is becoming established in Yelets, and city intellectuals, local historians, and representatives of city authorities often appeal to it. However, such figures remain at the level of demagoguery. The reality turns out to be tougher. Today, modernization processes are underway in Yelets; the infrastructure is being modified. There are risks that Rozanov's chronotopes will no longer be preserved in the form in which they were noted in his enigmatic texts.
The memory of Rozanov in Yelets is structured by various actors. These are the authorities using the name of the philosopher in presentation texts about Yelets, educational institutions (Yelets State University named after I.A. Bunin, Secondary School No. 1 named after M.M. Prishvin, etc.), and a private initiative of local gallery owners and local historians † . Such stories of working with memory actualize the need to use the structural method.
The method we use for our reconstruction of Rozanov's Yelets space involves a walk through some chronotopes associated with his stay in Yelets. Rozanov's places in Yelets are reflected in his texts. The intellectual mission is defined in its ability to broadcast knowledge and, as noted by J. Le Goff, "to wedge into the world of the spirit" [3: 5]. That is why our walks along Rozanov's Yelets are held together with the students. The visual experience of comprehending Rozanov's intellectual biography can become a completely atmospheric form of educational practice. "I have always been an observer in the world, not a participant. Hence such longing", the philosopher once admits in "Fallen Leaves" [4: 159].
The risks of modernizing urban space urge us to want to remember what has not yet completely disappeared. It is important to be able to capture what has not yet been modernized, what still looks more or less authentic. The Rozanov plein air can be viewed in the context of memory studies.

Results
The active development of the urban space in the interests of the new political elite of the city presupposes an urban reboot of the city center. It constantly attracts teams of fashion designers and architects, the Art. Lebedev Studio, etc. However, in Yelets, there are still addresses that could have been visited by the Russian philosopher and remain unchanged to this day. There are still several addresses that can be reconstructed as Rozanov's chronotopes. Address 1. Rozanov taught at the Yelets classical grammar school for boys from 1887 to 1891. The school building has survived and preserved its function. Today there is Secondary School No. 1 named after M.M. Prishvin (Sovetskaya Street, 121). The memory of Rozanov's teaching practice, which, probably, could be appreciated to a greater extent by his most famous student, M. Prishvin, who had experienced his kind of "trolling" [5: 13], is recorded in a memorial plaque installed on the school building in May 2006. † In the early 1990s, a republican conference dedicated to the memory of V. Rozanov was held in Yelets.
Some university scholars, up until today, are well-known researchers of Rozanov's heritage. At the entrance to the library of the Yelets State University named after I.A. Bunin one can see a bust of the Russian philosopher. In the late 1990s, we had to participate in an international conference in Nizhny Novgorod. One professor was then extremely surprised by the fact that we had come from Yelets because the clearest association he had with the city was the period of Rozanov's life in it. by E. Krikunov, a gallery owner in Yelets, at his own expense. Today the monument is closed from direct access and can only be seen upon request. Hence, it is no coincidence that the monument can be interesting for those who purposefully come to the city. As Krikunov himself notes, "he offered the city authorities to erect a monument somewhere in the city, but they refused. Then he put it 'in his courtyard'" [11]. In such a revelation, one can see common symptoms for Russia, when the bureaucratic pressure described by some researchers [12], most likely, penetrates cultural discourse. The secluded life of the philosopher himself seems to be projected onto the practice of working with his memory, drawing them inward, into itself.

Discussion
The mentioned addresses are by no means a complete list of Rozanov's places in Yelets. By full right, the City Garden, the Monastery on the outskirts of Yelets in the direction of Orel, the Vladimir Church in the Black Sloboda, the Chernoslobodskoe cemetery, etc. can be added to them. We did not try to maximize the identification of Rozanov's addresses. More important for us was the actual availability of those addresses that were covered in the intellectual plein air.
Let us note a certain ambiguity in the policy of the city authorities. On the one hand, the importance of Rozanov's figure today can be understood by the new urban elite, realizing its importance in the policy of filling the urban cultural vacuum. Thus, the mayor of Yelets E. Borovskikh came to the evening show of the film "Boys" (1990) based on one of the chapters of "The Brothers Karamazov" by F. Dostoevsky. The film contains Rozanov's mythologemes, as the very fact of Rozanov's appearance in Yelets is associated with Dostoevsky. The viewing was held outdoors in a fairly entourage courtyard of the former county court. On the other hand, today the urban authorities are busy with more trivial problems of life support, which postpones the issue of commemorating Rozanov for an indefinite period. The practices that have already recorded his traces on the Yelets land were made before the legitimization of the current political elite.
Rozanov's potential is huge, and with due attention, it can become an additional motive for the cultural attractiveness of the city. "The understanding of Vasily Rozanov is somewhere far ahead," noted the prominent Soviet intellectual V. Turbin, who sympathized with Yelets [13: 130]. In the event of a new turn towards the Russian province and littlestudied figures, Yelets can acquire another attractive facet and sparkle with a new charm. The found form of communication with students solves the problem of preserving the intellectual field around the figure of an outstanding Russian religious philosopher and his connection with Yelets.

Conclusion
The intellectual plein air allows us to re-evaluate the dialectics of Yelets life, which was revealed to the philosopher 150 years ago. The contradictory nature of Yelets' everyday life, the bizarre combinations of "high" and "low" for Rozanov "acquired a vital meaning there" [14: 35]. It is no coincidence that the philosopher's Yelets is viewed through the optics of a moral homeland. Rozanov's Yelets text is synchronized with the more authoritative text of Russian culture, which experienced at the turn of the 19th-20th centuries undoubted prosperity, as well as "spiritual ambiguity, confusion, a time of spiritual crisis, the tragic result of which was the fatal unpreparedness of the Russian cultural consciousness for the already nationwide crisis, for the revolutionary explosion of Russia itself" [15: 178].
In addition to the intellectual temptations of new readings of Rozanov's texts, this form of academic dialogue, taken outside the framework of the university audience, solves another problem. We are talking about new aesthetic horizons of the familiar ethnic landscape. Yelets expands and becomes deeper, and Rozanov's Yelets text is linked with Russian and world culture. Such an experience of comprehending this text can provoke future researchers to search for new subjects in the works of famous fellow countrymen.