| Issue |
SHS Web of Conf.
Volume 183, 2024
3rd International Conference on Public Art and Human Development (ICPAHD 2023)
|
|
|---|---|---|
| Article Number | 03005 | |
| Number of page(s) | 5 | |
| Section | Humanities and History Education and Social Development | |
| DOI | https://doi.org/10.1051/shsconf/202418303005 | |
| Published online | 04 March 2024 | |
An Analysis of Music Composition Techniques of Bao Yuankai: Case Study of “Little Cabbage”
1 Master of Fine and Applied Arts. Chakrabongse Bhuvanarth International Institute for Interdisciplinary Studies, Rajamangala University of Technology Tawan-ok. China
2 Inner Mongolia Horqin art vocational College. Inner Mongolia, China
3 Chakrabongse Bhuvanarth International Institute for Interdisciplinary Studies, Rajamangala University of Technology Tawan-ok.Bangkok, Thailand.
a Corresponding author: Wei.Sun@Rmutto.ac.th
The composition techniques of the folk song “Little Cabbage” within Chinese composer Bao Yuankai's “Yan Huang Feng Qing” are analyzed as research subjects. The concept of symphonic Chinese folk songs and musical creation techniques are investigated. The manner in which the composer incorporates Chinese and Western music theories in his compositions through the application of musical theory techniques is analyzed. The results of the research findings were: 1) The Chinese pentatonic scale 2) The use of Chinese folk melody in Western orchestra and 3) 3 Music texture: polyphonic technique and Chinese melody fusion. Exploring the composer's concept of symphonic Chinese folk songs is of paramount importance for further inheriting and advocating China's outstanding folk music culture.
© The Authors, published by EDP Sciences, 2024
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