SHS Web Conf.
Volume 41, 2018International Conference on Architectural Education in Asia (eduARCHsia 2017)
|Number of page(s)||7|
|Section||Uncertainty of Urbanism and Territoriality|
|Published online||10 January 2018|
Reassembling Traditionality and Creativity: A Study of Place as Assemblage in Pasar Cihapit Bandung
Institut Teknologi Bandung, Indonesia
2 Langlangbuana University Bandung, Indonesia
* Corresponding author: firstname.lastname@example.org
There are many efforts to revitalize traditional market as urban economic and socio-cultural place. Several creative communities in Bandung have been trying to pep up the vitality of Pasar Cihapit Bandung through socio-cultural events. Through place as assemblage approach, this paper traces the actors involved and their relation in the place-making, and also to seek how the creative movement contribute to the traditional economic activities which have been taken place before. This creative movement has identified to be able to attract public attention to the market, signified in the media publication. The emergence of new actors also generated the contested space in Cihapit market, influenced by actors’ relation to another group outside the market. The market publicities is also attracted political actors concern, stimulated by their popularity desires, that impact to space contestation intensity. It is found that creative movement can increase the physical image of the market by socio-cultural events, but it is not found its significant contribution to improve the economic role of the traditional market. This paper contributes knowledge to understand how everyday practice of power works in designing and creating built environment
Key words: creative community / public market / Pasar Cihapit / assemblage / place-making / contestation / controversies / translation
© The Authors, published by EDP Sciences, 2018
This is an Open Access article distributed under the terms of the Creative Commons Attribution License 4.0, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (http://creativecommons.org/licenses/by/4.0/).
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