SHS Web Conf.
Volume 50, 2018The International Scientific and Practical Conference “Current Issues of Linguistics and Didactics: The Interdisciplinary Approach in Humanities and Social Sciences” (CILDIAH-2018)
|Number of page(s)||5|
|Published online||12 October 2018|
Composition and Subject Structure of Minutes Genre in Religious Style
Ural Federal University named after the first President of Russia B.N. Yeltsin, 620002 Yekateriburg, Russia
* Corresponding author: Tatiana.Itckovich@urfu.ru
The article under consideration is devoted to the study of the functioning of the minutes genre in the religious style. The relevance of the research is determined by the fact that in the religious style, minutes is a peripheral genre that functions at the intersection with the official style, therefore it is particular006Cy important to consider the specific features of this genre as a part of a not typical of it religious sphere. The authors examine the peculiarities of the explication of the category of subject and the changes in the category of composition of minutes using the method of the categorical-textual analysis. The research is done with reference to the minutes-books of the Russian Orthodox Church. The examination of the explication of the categories revealed some specificities: the category of subject is expressed through two nomination chains, connected to the logical structure of the statement. The nomination chain related to the agent is characterized by the limited set of additional nominations. The nomination chain related to the predicate is characterized by the variety of lexically new additional nominations. The peculiarity of the category of composition lies in the additional compositional element, reflecting the idea of duality and interaction with the sacred world.
© The Authors, published by EDP Sciences, 2018
This is an open access article distributed under the terms of the Creative Commons Attribution License 4.0 (http://creativecommons.org/licenses/by/4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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