SHS Web Conf.
Volume 72, 2019International Scientific Conference: “Achievements and Perspectives of Philosophical Studies” (APPSCONF-2019)
|Number of page(s)||8|
|Section||Man in the World of Culture|
|Published online||28 November 2019|
Antirealism of new reality or art against personality: with the eyes of the philosophy
Ural State University of Economics, 620144, Yekaterinburg, Russia
* Corresponding author: email@example.com
In the article, the authors provide an assessment of the modernism art, cultivated for decades, in terms of the possibilities of its social and ideological influence. It is argued that the ideologists of the bourgeoisie had to admit that Western art culture was at an impasse. The article analyzes the works of philosophers and artists, such as: Lenin, Schwartz, Nietzsche, Brooke, Leist, Meyer, Reed, Bergson, Lauterbach, Huxley, Weir, etc. Among the many concepts - the theory of "cultural circles", "cultural lag" and "cultural traditions"; Theory of Art Evolution - Professor Munroe; theory of social and cultural dynamics P. Sorokin and others. However, none of these theories could put forward any significant, practically effective ideas that could breathe life into bourgeois art. Summing up the results of more than half a century of the modernism art, we can say that it did not enrich the artistic culture. Starting with contrasting itself with traditional art in a philosophical, theoretical and aesthetic sense, modernism fell outside the scope of art itself due to the absurdity of its practice. The authors believe that in search of a way out of the impasse, bourgeois scholars could not escape from "anti-realism" and art was against the individual. The path traveled by modernist art proves the futility of bourgeois art culture in the first half of the twentieth century, but does not deny its revival in the XXI century.
© The Authors, published by EDP Sciences, 2019
This is an Open Access article distributed under the terms of the Creative Commons Attribution License 4.0, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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