Issue |
SHS Web Conf.
Volume 97, 2021
International Conference “Technological Educational Vision” (TEDUVIS 2020)
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Article Number | 01048 | |
Number of page(s) | 8 | |
DOI | https://doi.org/10.1051/shsconf/20219701048 | |
Published online | 08 February 2021 |
Memorial music as a way of comprehension and dialogue through time and space
Dmitri Hvorostovsky Siberian State Academy of Arts, Department of Music History, 660049 Krasnoyarsk, Russia
* Corresponding author: zaozerskikh51@gmail.com
This article is dedicated to the phenomenon of memorial music. Memoriality is characterized as one of the facets of cultural memory. The methodological basis of the work was made up of works dedicated to the “memory of culture” (J. Assman, P. Nora, J. Lotman) and musical memoriality (T.S. Andruschak, M.N. Lobanova, E.V. Nazaikinsky, O.V. Sokolov, N.L. Sokolvyak, V.N. Kholopova). The results of the study were the identification of thematic complexes, characteristic features and coordinate system of memorial music. Particular attention is paid to the manifestation in memorial music of a certain chronotope, embodied through the principle of “creative dialogue” with the addressee of the memorial dedication. Analytical characteristics of the coordinate system of “music of memory” are given by the authors on the example of memorial music of Siberian composers, composers of the Krasnoyarsk region in particular.
© The Authors, published by EDP Sciences, 2021
This is an Open Access article distributed under the terms of the Creative Commons Attribution License 4.0, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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