Issue |
SHS Web Conf.
Volume 167, 2023
2023 2nd International Conference on Comprehensive Art and Cultural Communication (CACC 2023)
|
|
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Article Number | 01020 | |
Number of page(s) | 5 | |
Section | Art Appreciation and Film Image Research | |
DOI | https://doi.org/10.1051/shsconf/202316701020 | |
Published online | 18 May 2023 |
Research and analysis of interaction in virtual reality films in the context of new media
Chung-Ang University
* Corresponding author: makefilm@cau.ac.kr
With the continuous progress of computer network technology and the burst of new digital media art, virtual reality technology, a revolution in transmitting information, has come into being. As a brand new combination of computer technology and film art, virtual reality films have an interactive experience that no other art genre can achieve. During the movie watching process, the audience can walk into the movie scene, panoramic arbitrary observation of any angle around, and active interaction with people or objects in the scene, creating a personal memory palace, creating a unique storyline, creating a virtual dream space, and re-creating personal life and personal experience in the process of virtual experience. This paper firstly, through understanding the origin and background of virtual reality, analyzing and comparing the development status of virtual reality movies at home and abroad and looking forward to its prospect, so as to arrive at the possible value of virtual reality movies realized under the future digital technology media; secondly, combining the characteristics of virtual reality interactive technology, through analyzing the development process of traditional movie experience, comparing and arriving at the difference between traditional movies and virtual reality movies in Secondly, by analyzing the development process of traditional movie experience with the characteristics of virtual reality interactive technology, we compare and contrast the experience difference between traditional movies and virtual reality movies in four aspects: time and space construction, screen boundary, subjective experience, and interaction mode; secondly, we analyze the experience process from shallow to deep in virtual reality movies, and explore the psychological demand value rooted in the spirit after the intermingling of technology and movie content; finally, we elaborate on the experience value feedback brought to the audience after the practical application of virtual reality technology, and at the same time, we think deeply about this new digital technology medium. Lastly, it is the feedback of the experience value brought by the practical application of virtual reality technology to the audience and the reflection and critique of this new digital technology medium.
© The Authors, published by EDP Sciences, 2023
This is an Open Access article distributed under the terms of the Creative Commons Attribution License 4.0, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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