Open Access
SHS Web of Conf.
Volume 174, 2023
2023 2nd International Conference on Science Education and Art Appreciation (SEAA 2023)
Article Number 02009
Number of page(s) 4
Section Digital Media Technology and Art Appreciation
Published online 11 August 2023
  1. William A. Wilson, translated by Feng Wenkai: “Herder: Folklore and Romantic Nationalism”, Ethnic Literature Studies, vol. 3 [Google Scholar]
  2. Ad, Fable, 30 October 1903. [Google Scholar]
  3. Zhou Zuoren, “Reading Andersen’s Fairy Tale ‘Nine Out of Ten’”, selected and commented by Wang Quangen(1989) in “Selected Essays on Modern Chinese Children’s Literature Criticism”, Nanning: Guangxi People’s Publishing House, p. 871. [Google Scholar]
  4. Lin Shu: “Introduction to Aesop’s Fables,” edited by Li Jin, annotated by Luo Wenjun in “Collection of Chinese Literary Introductions and Postscripts, Volume One (1894-1910),” Shanghai: Shanghai People’s Publishing House, p. 59. [Google Scholar]
  5. Chen Pingyuan, “The Starting Point of Modern Chinese Fiction: A Study of Fiction in the Late Qing and Early Republican Period,” Beijing: Peking University Press, January 2010 edition, p. 41. [Google Scholar]
  6. Zhou: Xin’an Harmonious Translation Preface, p. 58. [Google Scholar]
  7. Sun Yuxiu, in his book “Discussions on European and American Fiction,” classified Grimm’s fairy tales as belonging to the category of supernatural and fantastic fiction. [Google Scholar]
  8. Sun Yuxiu, “Introduction to ‘Fairy Tales’”, pp. 17-18. [Google Scholar]
  9. Chinese short- or medium-length story or novella written mostly in vernacular language, sometimes including simple classical language. [Google Scholar]

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