SHS Web Conf.
Volume 63, 2019Modernism, Modernisation and the Rural Landscape, Proceedings of the MODSCAPES_conference2018 & Baltic Landscape Forum
|Number of page(s)||10|
|Section||Modernist Rural Planning: Paradigms|
|Published online||15 April 2019|
Spatialized corporatism between town and countryside
Politecnico di Milano, ABC Department of Architecture, Built Environment and Construction Engineering, 20133 Milan, Italy
Corresponding author: firstname.lastname@example.org
This contribution deals with the relationship between town planning, architectural design and landscape in the foundation of “new towns” in Italy. In doing so, I shall focus on the Pontine Marshes, giving due consideration to then emerging theories about the fascist corporate state, whose foundation act may be traced back to Giuseppe Bottai’s “Charter of Labour”. This political-cultural “model” purported a clear hierarchy between settlements, each bound for a specific role, for which specific functions were to be assigned to different parts of the city. Similarly, cultivations in the countryside were to specialise. In the Pontine Marshes, Littoria was to become a provincial capital and Sabaudia a tourist destination, Pontinia an industrial centre and Aprilia an eminently rural town. Whereas the term “corporatism” may remind the guild system of the Middle Age, its 1930s’ revival meant to effectively supports the need for a cohesive organization of socio-economic forces, whose recognition and classification was to support the legal-political order of the state. What was the corporate city supposed to be? Some Italian architects rephrased this question: what was the future city in Italy of the hundred cities? Bringing to the fore the distinguishing character of the settlements concerned, and based on the extensive literature available, this contribution discusses the composition of territorial and urban space, arguing that, in the Pontine Marshes, this entails the hierarchical triad farm-village-city, as well as an extraordinary figurative research at times hovering towards “classicism”, “rationalism” or “picturesque”. Composition and figuration are therefore not homogeneous, nor mere expressions of the fascist regime. They show instead a constant research, between aesthetics and practice, of an idea of modern city, of public space, of balance between city and countryside.
© The Authors, published by EDP Sciences, 2019
This is an open access article distributed under the terms of the Creative Commons Attribution License 4.0 (http://creativecommons.org/licenses/by/4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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