Issue |
SHS Web Conf.
Volume 63, 2019
Modernism, Modernisation and the Rural Landscape, Proceedings of the MODSCAPES_conference2018 & Baltic Landscape Forum
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Article Number | 11003 | |
Number of page(s) | 14 | |
Section | Making and Preserving Modernist Rural Heritage | |
DOI | https://doi.org/10.1051/shsconf/20196311003 | |
Published online | 15 April 2019 |
Towards the contemporary development of modern architecture inherited from the Fascist regime: the city of Sabaudia.
École Nationale Supérieure d'Architecture de Toulouse, LRA, France
Corresponding author : constance.ringon@toulouse.archi.fr
Carried out by the Italian fascist regime, the creation of the town of Sabaudia occurred during the draining of the Pontine Marshes in an intervention that was central to efforts in the organization of rural territory. This paper explores the “reinvention” of Sabaudia through an analysis of its town plan and buildings from the 1970s. Recent practices of conservation, preservation and restoration of this modern inheritance were studied. A lack of knowledge led to the modification or the demolition of some buildings. I review how these attempts to consider the legacies of Italian history were met with refusal in the 1970s and 1980s compared to the 2000s when a heritage-making policy was enacted to promote the town. The political question resurfaces here: does “patrimonialization” permit giving this architecture, resulting from a totalitarian regime, a recognition that is incompatible with their political origin? That is to say, can we think about Sabaudia without thinking about fascism? The presentation of some projects of renovation and restoration will highlight several questions regarding modern aesthetics, the relation to landscape, as well as uses and techniques.
© The Authors, published by EDP Sciences, 2019
This is an open access article distributed under the terms of the Creative Commons Attribution License 4.0 (http://creativecommons.org/licenses/by/4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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