SHS Web Conf.
Volume 69, 2019The International Scientific and Practical Conference “Current Issues of Linguistics and Didactics: The Interdisciplinary Approach in Humanities and Social Sciences” (CILDIAH-2019)
|Number of page(s)||6|
|Published online||25 October 2019|
Metaphysical Language Game and the Word-play Modality in V.Nabokov’s Novelism and Poetry
FSAEI HE Industrial university of Tyumen, Department of Intercultural Communication,
2 FSAEI HE Tyumen State University, Department of Foreign Language and Intercultural Professional Communication, 625000 Tyumen, Russia
* Corresponding author:firstname.lastname@example.org
This article discusses the unique linguistic consciousness of V. Nabokov, formed in a multilingual environment. The method of philosophical interpretation of the text was used in V. Nabokov’s works analysis. It is revealed that in the multicultural environment V. Nabokov created an artful, nonstandard language by means of the original language game and word making and affecting, perhaps unconsciously, the logical and philosophical concept of Wittgenstein’s “language game”. The language of V. Nabokov’s poetry is defined as a way to destroy the experienced, but unwittingly resurrected, i.e., what can be considered experience and memories, and at the same time self-creation through poetry.However, early criticism of Nabokov-Sirin’s poetry is rather skeptical about the author’s ability to touch or express etaphysical aspects of life.
© The Authors, published by EDP Sciences, 2019
This is an Open Access article distributed under the terms of the Creative Commons Attribution License 4.0, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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