Leaving and death: The awakening of individual modernity in ethnic minority films——Based on the reading of “A Mongolian Tale” and “Jinpa”

Literature of Theatre Film and Television, Communication University of China, Chaoyang District, Beijing, China

^* Corresponding author: 2950693543@qq.com

Abstract

The relationship between national tradition and modern ethics has become an important proposition of ethnic minority films in the new century. With the development of society, the minority areas are more closely connected with the outside world, and some individuals of the minorities can be exposed to modern ethics and realize their superiority over the traditional national ethics. Due to the connection with the traditional national society, the awakening individual often bears strong tearing and pain in the conscious transformation from tradition to modern. This irreversible transformation process accompanied by strong pain has been condensed into two symbols of “leaving” and “death” in the film text.