SHS Web Conf.
Volume 167, 20232023 2nd International Conference on Comprehensive Art and Cultural Communication (CACC 2023)
|Number of page(s)||4|
|Section||Art Appreciation and Film Image Research|
|Published online||18 May 2023|
A preliminary exploration of the cross-cultural production, performance and dissemination models of contemporary Chinese adaptations of Shakespeare’s plays (1990-2020)
Sichuan Film and Television University, Chengdu, Sichuan, 611311
The cross-cultural performance of Chinese adaptations of Shakespeare’s plays abroad has gone through two stages: the ‘introduction’ of Shakespeare’s plays and the ‘going out’ of Chinese adaptations of Shakespeare’s plays. The paper aims to analyse the correlation between the two stages. By analysing the process of initiation, dissemination and reception of Chinese adaptations of Shakespeare’s plays [see Table 1], which have been invited to perform abroad for many times and have attracted a certain level of response from Western society, the paper attempts to build a network model for the performance and dissemination of Chinese cross-cultural theatre works carrying traditional Chinese culture in the West.
© The Authors, published by EDP Sciences, 2023
This is an Open Access article distributed under the terms of the Creative Commons Attribution License 4.0, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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