| Issue |
SHS Web of Conf.
Volume 183, 2024
3rd International Conference on Public Art and Human Development (ICPAHD 2023)
|
|
|---|---|---|
| Article Number | 03001 | |
| Number of page(s) | 5 | |
| Section | Humanities and History Education and Social Development | |
| DOI | https://doi.org/10.1051/shsconf/202418303001 | |
| Published online | 04 March 2024 | |
Oriental Consciousness in André Masson’s Automatic Paintings
Xi'an Academy of Fine Arts, Xi’an, China
* Corresponding author: 936460961@qq.com
André Masson has long been regarded as a representative figure of surrealist and automatism painting, but a closer look at his works makes it easy to find a dialogic nature with ancient Chinese calligraphy and painting. Influenced by Breton's concept of automatic writing, his works also draw on Chinese ink paintings of the Song Dynasty, abandoning perspective and playing the important role of white space. This paper tries to sort out the lineage of the emergence of Oriental consciousness in Masson's automatic paintings and explains the specific expression of Chinese painting in his art.
© The Authors, published by EDP Sciences, 2024
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