The influence of visual representations of “the Other” in the system of modern sociocultural communications

Nataliya Kolodii; Vyacheslav Kolodii; Nataliya Goncharova; Alyona Ivchik

doi:10.1051/shsconf/20162801123

All issues

Volume 28 (2016)

SHS Web of Conferences, 28 (2016) 01123

References

Open Access

Issue		SHS Web of Conferences Volume 28, 2016 RPTSS 2015 – International Conference on Research Paradigms Transformation in Social Sciences 2015


Article Number		01123
Number of page(s)		5
DOI		https://doi.org/10.1051/shsconf/20162801123
Published online		15 June 2016

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[1] P. Bourdieu, Photography: A Middle-brow Art. (Stanford, CA: Stanford University Press, 1990) [Google Scholar]

[2] R. Barthes, Camera Lucida: Reflections on Photography (Farrar, Straus and Giroux, 1981) [Google Scholar]

[3] M. Foucault, Discipline and Punish: The Birth of the Prison (New York: Pantheon, 1977) [Google Scholar]

[4] E. Chaplin, Sociology and Visual Representation. (London: Routledge, 1994) [CrossRef] [Google Scholar]

[5] J. Alexander, Iconic Experience in Art and Life. Theor. Cult. Soc., 25 (5), (2008) [CrossRef] [Google Scholar]

[6] M. Bal, J. Vis. Stud., 2(1), (2003) [Google Scholar]

[7] R. Garland-Thomson, J. Vis. Cult., 5(2), (2006) [Google Scholar]

[8] J. Crary, The Techniques of Observer: On Vision and Modernity in the 19th Century (Cambridge, MA: MIT Press, 1992) [Google Scholar]

[9] M. Jay, Scopic Regimes of Modernity. In Vision and Visuality (Seattle, WA: Bay Press, 1988) [Google Scholar]

[10] M. Jay, Vision in Context: Reflections and Refractions (Routledge, 1996) [Google Scholar]

[11] K. Moxey, J. Vis, Cult. Los Angeles, London, New Delhi and Singapore: Sage, 7 (2), (2008) [Google Scholar]

[12] J.-L. Nancy, The Ground of the Image (New York: Fordham University Press, 2005) [Google Scholar]

[13] L. Mulvey, Visual pleasure and narrative cinema. In Visual Culture: the Reader (Eds. Jessica Evans and Stuart Hall. London: Sage Publications, 1999) [Google Scholar]

[14] J. Ruby, Visual Anthropology. In D. Levinson, & M. Ember (Eds.), Encyclopaedia of Cultural Anthropology (New York: Henry Holt and Company, 1996) [Google Scholar]

[15] N. Kolodii, V. Kolodii, Y. Chayka, & N. Goncharova, Procedia - Soc. Behav. Sci., (2015) [Google Scholar]

[16] N. Bryson, Vision and Painting: The Logic of the Gaze. (U.P. Vale, 1983) [Google Scholar]

[17] M. Banks, Visual methods in social research (London: Sage, 2001) [CrossRef] [Google Scholar]

[18] A. Jansson, Textural Analysis. Materialising Media Space. In Geographies of Communication: The Spatial Turn in Media (Göteborg, 2006) [Google Scholar]

[19] D. Elkins, Visual Studies: a Skeptical Introduction (London, NY: Routledge, 2003) [Google Scholar]

[20] W. Benjamin, The Work of Art in the Age of Mechanical Reproduction. (New York: Schocken Books, 1969) [Google Scholar]

[21] N. Mirzoeff, Visual Culture Reader (London: Routledge, 1999) [Google Scholar]

[22] K. Sachs-Hombach & K. Rehkamper, Einleitung. In Bild – Bildwahrnebeitung. Wiesbaden: Deutscher Universitats-Verlag, (1998) [Google Scholar]

[23] D. Chaney,. Theor. Cult. Soc., (2000) [Google Scholar]

[24] M. Sturken, L. Cartwright, Practices of Looking: An Introduction to Visual Culture (N.Y., Oxford: Oxford University Press, 2009) [Google Scholar]

[25] B. Stafford, Good Looking: Essays on the Virtue of Images (Cambridge, MA: MIT Press, 1996) [Google Scholar]

[26] W.J.T. Mitchell, J. Vis. Cult., 1(2), (2002) [Google Scholar]

[27] J. Urry, The Tourist Gaze: Leisure and Travel in Contemporary Societies. London: Sage, (1990) [Google Scholar]

[28] A. Grimshaw, The eye in the door; anthropology, film am the exploration of interior space (Yale University Press: Wiltshire, 1999) [Google Scholar]

[29] S. Hall, The Work of Representation. In Representation: Cultural Representations and Signifying Practices (The Open University: Milton Keynes, 1997) [Google Scholar]