Open Access
SHS Web Conf.
Volume 64, 2019
14th European Architecture Envisioning Conference (EAEA14 2019)
Article Number 01013
Number of page(s) 9
Section Immersion
Published online 26 August 2019
  1. G. Böhme, Atmospheric architectures: the aesthetics of felt spaces, Bloomsbury Publishing (2017) [Google Scholar]
  2. R. Amheim, Art and visual perception, Univ. of California Press (1974) [Google Scholar]
  3. V. Gallese, Arte, corpo, cervello: per un’estetica sperimentale, Micromega, 2, 49–67 (2014) [Google Scholar]
  4. J. P. Thibaud, The backstage of urban ambiances: when atmospheres pervade everyday experience , Emotion, space and society, 15, 39–46 (2015) [CrossRef] [Google Scholar]
  5. V. Gallese, M. Ardizzi, Il senso del colore. Tra mondo, corpo e cervello, Colori: l’emozione dei colori nell’arte, Milano: Silvana Editoriale, 23–35 (2017) [Google Scholar]
  6. R. Pepperell, Connecting art and the brain: an artist’s perspective on visual indeterminacy , Frontiers in human neuroscience, 5, 84 (2011) [CrossRef] [Google Scholar]
  7. J. Albers, Interaction of color, Yale University Press (2006) [Google Scholar]
  8. G. Böhme, Atmosfere estasi e messe in scena: l’estetica come teoria generale della percezione, Milano: Marinotti (2010) [Google Scholar]
  9. R. Arnheim, Art and visual perception. Univ. of California Press (1974) [Google Scholar]
  10. J. Albers, Interaction of color. Yale University Press (1971) [Google Scholar]
  11. G. Böhme, The aesthetics of atmospheres (J.-P. Thibaud, Ed.) (1 ed.). London New York: Routledge (2016) [CrossRef] [Google Scholar]
  12. G. Böhme, Atmosphere as the fundamental concept of a new aesthetics . Thesis eleven, 36 (1), 113–126 (1993) [CrossRef] [Google Scholar]
  13. A. Damasio, Descartes’ error: emotion, reason, and the human brain. New York: G. P. Putnam (1994) [Google Scholar]
  14. D. Freedberg, V. Gallese, Motion, emotion and empathy in aesthetic experience . Trends in cognitive sciences, 11, 5, 197–203 (2017) [CrossRef] [Google Scholar]
  15. D. Freedberg, The power of images: Studies in the history and theory of response, Chicago: University of Chicago Press (1989) [Google Scholar]
  16. V. Gallese, V. (2014). Arte, corpo, cervello: per un ’estetica sperimentale . Micromega, 2, 4967 (2014) [Google Scholar]
  17. V. Gallese, Bodily selves in relation: embodied simulation as second-person perspective on intersubjectivity . Phil. Trans. R. Soc. B, 369 (1644), 20130177 (2014) [CrossRef] [Google Scholar]
  18. T. Griffero, Atmospheres: aesthetics of emotional spaces. Routledge (2016) [CrossRef] [Google Scholar]
  19. D. Leatherbarrow, Atmospheric condition. Phenomenologies of the city: studies in the history and philosophy of architecture, M. Sternberg & H. Steiner Eds., 85–99 (2015) [Google Scholar]
  20. J. P. Thibaud, The backstage of urban ambiances: When atmospheres pervade everyday experience . Emotion, space and society, 15, 39–46 (2015) [CrossRef] [Google Scholar]
  21. J. P. Thibaud, The sensory fabric of urban ambiances . The senses and society, 6, 2, 203–215 (2011). [CrossRef] [Google Scholar]
  22. D. Vesely, Architecture in the age of divided representation: the question of creativity in the shadow of production, MIT press (2004). [Google Scholar]
  23. S, Vizzardelli, Verso una nuova estetica: categorie in movimento, Milano: Mondadori (2010) [Google Scholar]
  24. S. Zeki, J. Nash, Inner vision: an exploration of art and the brain, 415, Oxford: Oxford University Press (1999) [Google Scholar]

Current usage metrics show cumulative count of Article Views (full-text article views including HTML views, PDF and ePub downloads, according to the available data) and Abstracts Views on Vision4Press platform.

Data correspond to usage on the plateform after 2015. The current usage metrics is available 48-96 hours after online publication and is updated daily on week days.

Initial download of the metrics may take a while.