Open Access
Issue
SHS Web of Conf.
Volume 174, 2023
2023 2nd International Conference on Science Education and Art Appreciation (SEAA 2023)
Article Number 02021
Number of page(s) 4
Section Digital Media Technology and Art Appreciation
DOI https://doi.org/10.1051/shsconf/202317402021
Published online 11 August 2023
  1. Wang Fangzhao. “White Snake: Origin”: Cultural Narrative Interpretation and Classic Image Reshaping.” Film Review. Z1(2021):114-116. doi:10.16583/journal.pone.0045150 [Google Scholar]
  2. Wang Wangyu, and Zhou Chenhui. “Analysis of the Overseas Market and Cultural Competitiveness of Chinese Animation Films——Taking “White Snake: Origin”, “White Snake 2: Green Snake Robbery” and “New God List: Nezha Rebirth” as examples.” Contemporary Animation. 03(2022):21-27. [Google Scholar]
  3. Wang Wangyu, and Zhou Chenhui. “Analysis of the Overseas Market and Cultural Competitiveness of Chinese Animation Films——Taking “White Snake: Origin”, “White Snake 2: Green Snake Robbery” and “New God List: Nezha Rebirth” as examples.” Contemporary Animation. 03(2022):21-27. [Google Scholar]
  4. JESSICA LIN, and Wang Hao. “The Spread of Chinese Cultural Symbols in Hollywood Movies——Taking the “Kung Fu Panda” Series Movies as an Example.” Collecting and Writing. 01(2023):145-147. [Google Scholar]
  5. Liu Shaopeng. “A brief analysis of the natural beauty embodied in Chinese elements in animation design——Taking “Dragon Ball” asan example.” Western Leather 42.20(2020):39-40. [Google Scholar]

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