Open Access
SHS Web of Conferences
Volume 185, 2024
2024 2nd International Conference on Language and Cultural Communication (ICLCC 2024)
Article Number 02007
Number of page(s) 4
Section Traditional Cultural Inheritance and Intercultural Communication
Published online 14 March 2024
  1. Hui Ma. (2023). The Pre-emergence of Chinese Wood Block Printing—Based on Propagation Medium and Social Transition. Media and Communication Research, 4: 040801-.DOI: 10.23977/MEDIACR.2023.040801. [Google Scholar]
  2. Zur Nieden Gesa Over Berthold. (2023).Walsh in Europe and Beyond: Dissemination and Reception of English Music Prints in the 18th Century. Eighteenth Century Music, 20:229–233. DOI: 10.1017/S1478570623000210. [CrossRef] [Google Scholar]
  3. Zhuzhi Liu, Hushinaidi Bin Abdul Hamid Ke Fu. (2023). The development of China Sichuan folk woodcut motifs using reduction cutting print. Art and Performance Letters, 4: 040805. DOI: 10.23977/ARTPL.2023.040805. [Google Scholar]
  4. Khoo Flora. (2023).Prints of a New Kind: Political Caricature in The United States, 1789–1828. American Journalism, 40:384–386. DOI: 10.1080/08821127.2023.2228662. [CrossRef] [Google Scholar]
  5. Sooyun Sohn. (2023). The Influence of Dutch Genre Painting in Emblematic Prints: Jan Luyken’sDes Menschen, Begin, Midden en Einde(1712). Humanities, 12: H12020026. DOI: 10.3390/H12020026. [Google Scholar]
  6. Jiongming Xie.(2023).A Review of Chinese Wood Engraving Research. Art and Design, 6: 2023.62011. DOI: 10.31058/J.AD.2023.62011. [Google Scholar]
  7. Mazzotti Angelo Alessandro Ilchmann Achim.(2023). A Method for Recognising Oval Forms: The Case Study of a Copperplate Engraving of the Bibliotheca Wolfenbüttel 1705/23. Nexus Network Journal, 25:685–712. DOI: 10.1007/S00004023-00653-Z. [CrossRef] [Google Scholar]
  8. Henderson Felicity. (2023). Engraving Accuracy in Early Modern England: Visual Communication and the Royal Society. The Seventeenth Century, 38:181-182. DOI: 10.1080/0268117X.2022.2116200 [CrossRef] [Google Scholar]

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