Open Access
SHS Web of Conf.
Volume 183, 2024
3rd International Conference on Public Art and Human Development (ICPAHD 2023)
Article Number 03010
Number of page(s) 5
Section Humanities and History Education and Social Development
Published online 04 March 2024
  1. Zhao, S.F. (2020). The Continuation of Tradition and the Recreation of Identity: A Study on the Cultural Identity of Music in the “Panwang Festival” of the Yao People.Chinese Music (01), 25-32.doi:10.13812/j.cnki.cn11-1379/j.2020.01.004. [Google Scholar]
  2. Qin M.Y, Jirawat Vongphantuset. (2022) Cultural Sustainability: Strategies for Digital Protection and Products Development of YAO Ethnic Panwang Festivals Cultural Heritage. CTMCD2022,411-418. doi:10.2991/978-94-6463-046-6_49 [Google Scholar]
  3. Li, B.F. (2018). Ethnic Memory of Discus Myth in Minority Areas Taking the Yao Panwang Festival in Northern Guangdong as an Example. Journal of Qingyuan Vocational and Technical College (03), 10-13. [Google Scholar]
  4. Zhang,X.H. (2014). Sonic aesthetics in the ritualisation of traditional folk rituals from the Chinese Yao Panwang Festival. Journal of Tianjin Conservatory of Music (02), 93-98+128. doi:10.16274/j.cnki.cn12-1280/j.2014.02.008. [Google Scholar]
  5. RitsukoHirota.(2014). Rituals and Panwang Inheritance of the Overhill Yao in Lanshan County, Hunan Province. Local Cultural Studies (03), 63-75. [Google Scholar]

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