Open Access
| Issue |
SHS Web of Conf.
Volume 183, 2024
3rd International Conference on Public Art and Human Development (ICPAHD 2023)
|
|
|---|---|---|
| Article Number | 03010 | |
| Number of page(s) | 5 | |
| Section | Humanities and History Education and Social Development | |
| DOI | https://doi.org/10.1051/shsconf/202418303010 | |
| Published online | 04 March 2024 | |
- Zhao, S.F. (2020). The Continuation of Tradition and the Recreation of Identity: A Study on the Cultural Identity of Music in the “Panwang Festival” of the Yao People.Chinese Music (01), 25-32.doi:10.13812/j.cnki.cn11-1379/j.2020.01.004. [Google Scholar]
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- Li, B.F. (2018). Ethnic Memory of Discus Myth in Minority Areas Taking the Yao Panwang Festival in Northern Guangdong as an Example. Journal of Qingyuan Vocational and Technical College (03), 10-13. [Google Scholar]
- Zhang,X.H. (2014). Sonic aesthetics in the ritualisation of traditional folk rituals from the Chinese Yao Panwang Festival. Journal of Tianjin Conservatory of Music (02), 93-98+128. doi:10.16274/j.cnki.cn12-1280/j.2014.02.008. [Google Scholar]
- RitsukoHirota.(2014). Rituals and Panwang Inheritance of the Overhill Yao in Lanshan County, Hunan Province. Local Cultural Studies (03), 63-75. [Google Scholar]
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